New York University’s
Gallatin School of Individualized Study invite you to enjoy an innovative, evening-long event: “Celestial Twins? Conversations, Performances, and Readings on the Relationships between Music and Poetry,”
Thursday, February 28, 4:00 - 9:00 pm at the Jerry Labowitz Theatre (1 Washington Place, at Broadway).
Music and poetry share terminology – lyric, rhythm, melody, line – as well as methods: composers write tone poems and poets write preludes and nocturnes. They are, as a recent critic labeled them, “celestial twins.”
Like all twins, however, their relationship is one of difference and antagonism as much as similarity and harmony. “Celestial Twins?” will question the immediacy of experience, the materiality of the score and of sound, the role of improvisation and voice, and the porous lines between hearing, reading, imagining, and remembering. The event’s schedule is as follows:
4:00 pm - 5:00 pm: Discussion with scholars, musicians, and poets, including Emily Fragos, Lisa Goldfarb, Wayne Koestenbaum, and Michael Zapruder; moderated by Gregory Erickson.
6:00 pm - 7:15 pm: Wayne Koestenbaum reads selected poems; Mohammed Fairouz introduces new musical compositions, including settings of Koestenbaum’s work; poet Susan Howe and musician David Grubbs perform an excerpt from their collaboration “Frolic Architecture.”
7:30 pm - 9:00 pm: Performances by Infuse Chamber Ensemble, jazz musician and poet Roy Nathanson, and songwriter, composer, and phonographer Michael Zapruder, who recently set poems to music for his album
Pink Thunder.
The event, co-organized by the NYU Gallatin School of Individualized Study and the
Poetry Society of America, with the support of the
NYU Humanities Initiative, is free and open to
the public. Admission is on a first-come, first-served basis. For more
information about the program, call 212.998.7365 or email
mollykleiman@nyu.edu.